Glossary
- A-B
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A and B CUTTING |
A method of assembling film in two rolls [or more] to permit special effects or checkerboard printing [16mm] |
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Printing two [or more] rolls of film onto a single print film to produce special effects or hide splices [16mm] |
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A and B ROLLS [and so on] |
The rolls of cut negative used for multiroll printing, could be any number |
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The two forms, or symmetries, of winding used for 16mm or other single side perforated film. |
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A or B TYPE |
Terms used to identify emulsion position in 16mm projection, type A is emulsion to lens, Type B is emulsion to lamp. |
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ACADEMY |
The Academy of Motion Picture Arts and Sciences [USA] |
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Aperture of a 35mm motion picture camera or projector with dimension specified by the Academy |
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ACADEMY GATE |
Projector gate used to define an Academy aperture |
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ACADEMY LEADER |
Leader [see] on a film print with synchronising marks and information designed by the Academy |
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ACCESS |
Procedure of locating and supplying archive film for display outside the archive |
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ACETATE |
Cellulose acetate, loose term for cellulose acetate film base |
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ACID DYES |
Dyes used for tinting film emulsions in aqueous solution, in which the colour is in the negative ion [anion] |
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ACUTANCE |
Term used to describe the edge definition at a density change [on a film image] |
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ACVL |
Association of Cinema and Video Laboratories [USA} |
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ADDITIVE COLOUR |
Process of colour synthesis using red, green and blue light, requiring the three images to be projected or viewed in register |
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ADVANCE |
The separation between a point on the film sound track and the corresponding picture image |
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AERIAL IMAGE |
An optical virtual image in space rather than a real image on a screen |
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ANAGLYPH |
Stereoscopic projection using left and right eye images indifferent colours; viewed by complimentary filters |
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ANALYSER |
Video display equipment for grading that produces an image that simulates a print |
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ANALYSIS |
Process of separately producing records of red, green and blue light corresponding to these components in a scene |
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ANAMORPHIC [1] |
A cinematographic image with lateral compression produced by an anamorphic lens |
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ANAMORPHIC [2] |
An optical system with different vertical and horizontal magnifications |
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ANILINE DYES |
Dye chemicals produced from aniline, invented originally from coal in the 19th C |
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ANIMATION |
Frame by frame exposure of images that simulate motion |
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The first print of a film submitted for approval by a laboratory |
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ANTI-HALATION |
Coating or layer on film to reduce halation |
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APERTURE [1] |
The opening of an optical lens system that controls the light transmitted |
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APERTURE [2] |
The opening of a camera, printer or projector that defines the image shape and size |
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AR |
Aspect Ratio [acr] |
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ARCHIVAL |
Archival films are those an archive has chosen to preserve |
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ARCHIVE [FILM] |
An organisation for preserving films |
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ARTIFICIAL LIGHT |
Light generated by any light source except the sun |
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American Standards Association, also the film speed system described by the ASA |
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ASC |
American Society of Cinematographers |
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ASCII |
American Standard Code for Information Interchange, the standard computer character code |
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ASPECT RATIO |
Proportion of width to height [height as unity] of a film image picture |
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ASSEMBLER |
A technician who prepares film for a laboratory process like printing or grading |
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AUDIO |
Sound - used to describe any sound recording or playing equipment, or the entire chain |
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AUTO-OPTICAL |
A method of printing dissolve effects from a single roll of negative film on an automatic optical printer |
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AUTO-SELECTIVE PRINTING |
Auto-optical [syn] US term |
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AZIMUTH [1] |
The angle between the slit of a photographic sound head and the film path direction |
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AZIMUTH [2] |
The angle between the magnetic head and the film or tape path direction |
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BACK FOCUS |
Distance from a lens to it's image plane |
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BACK PROJECTION |
Image projection onto the rear of a translucent screen, also a special effect using the technique |
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BACKING |
Anti-halation backing, or any coating on the back or base of a film |
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BACKING |
A black [usually rem jet] coating applied to the film base to reduce halation |
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BAFTA |
British Academy of Film and Television Arts |
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BALANCE |
Term used to describe the "neutrality" of a colour film or TV image |
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BALANCE STRIPE |
Magnetic stripe applied to a film on the opposite edge of a film with a magnetic sound track to ensure uniform winding |
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BASE |
The transparent support on which the photographic emulsion of a film is coated |
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BASE SIDE |
Scratch on the base or cell [celluloid] side of film, = cell scratch |
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BASIC DYES |
Dyes used for toning film using mordant dyeing technique, in which the colour reside in the positive ion [cation] |
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BATCH NUMBER |
Coating batch code for photographic film |
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BBC |
British Broadcasting Corporation |
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BEAM SPLITTER |
Camera or printer device for separating light or images into two or three beams [usually R, G, & B] |
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BELL & HOWELL TAPE |
Punched paper printer tape [see] with a non-standard punched tape code |
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BI-DIRECTIONAL [PRINTER] |
Film printer capable of printing both forwards and backwards |
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BILATERAL SOUND TRACK |
Photographic sound track with a modulation symmetrical about it's centre axis |
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BILATERAL SOUND TRACK, SINGLE |
One single bilateral sound track image |
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BILATERAL SOUND TRACK, TRIPLE |
Three parallel bilateral sound tracks |
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BILATERAL SOUND TRACK, DOUBLE |
Two parallel bilateral sound tracks |
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BINDER |
The material carrying the metallic oxides in a magnetic coating |
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BI-PACK |
Two separate sensitised films running in contact in a camera, printer or other device, intending to be exposed one through the other. Also DU-PACK |
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BKS |
British Kinematographic Society, old title before change to BKSTS |
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BKSTS |
British Kinematographic, Sound and Television Society |
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BLACK |
Incapable of reflecting or transmitting any visible light - a subjective term |
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BLACK AND WHITE |
Loose term for silver image film, as distinct from colour film |
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BLEACH [1] |
To remove or decolourise the silver image, usually by conversion back to silver salts |
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BLEACH [2] |
To remove the visible colour of a dye |
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BLEACH [3] |
A solution used to bleach a film image |
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BLIP |
Loose term for a short sound on an optical or magnetic track to be synchronised with a sync mark on a film |
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BLOOP |
A triangular patch [or a punched hole] used to avoid the noise of a splice in an optical sound track |
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BLOOPING |
The act of blooping, specially using blooping ink |
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BLOOPING INK |
A dense, fast drying dye for use in place of a bloop |
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BLOW-UP |
Enlargement of a film image |
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BLUE |
One of the three additive primaries |
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BLUE BACKING SHOT |
Action shot against a blue background, for combination printing by Chromakey or Travelling Matte |
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BREAK-DOWN |
Separation of a roll of camera original negative film into it's separate scenes |
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BRIGHTNESS |
The luminance of a surface emitting or reflecting light, candelas/sq m |
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Subjective term for fragility and tendency to break of a film, a result of loss of plasticizer or water |
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BS |
British Standard, unit of photographic speed in BS units |
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BSI |
British Standards Institute |
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Subjective term for severe cockle of film caused by local uneven shrinkage |
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BURN-IN [1] |
Producing white titles on already exposed film by overexposure |
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BURN-IN [2] |
The addition of time code numerals to a video tape |
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BUTT SPLICE |
Film join where ends are not overlapped, but butted, usually taped |
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BUTT WELD |
Film join in polyester where ends are butted together and heat welded |
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BUZZ TRACK [1] |
A test film to determine whether the scanning slit of a projector is correctly aligned |
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BUZZ TRACK [2] |
A sound track recorded with local sounds to fill in a gap in a sound track |